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Adam Pfeffer - w/ Veronica Valenzuela

Orion, Lady & Bulletproof Dress are Veronica Valenzuela (lyrics, vocals) and Adam Pfeffer (keyboards, guitar, bass, drum programming). If you're a fan of jazz improvisation you should have a listen to Bulletproof Dress (with solos 67890) because it has a 7 minute keyboard solo in the middle of the song. If you're not a fan of jazz improvisation then listen to Bulletproof Dress (with solo 9). Pyschopathic Potions has lyrics/vocals by Veronica Valenzuela, a guitar solo by Greenman, and drums by Derek Ethridge. All the keyboards and drum programming for Psychopathic Potions were done by Adam Pfeffer. Scotch-n-Soda is a jazz standard performed live by Adam & Veronica at a private party. Mr. Crowley is an Ozzy Osbourne song recorded & filmed for the Warehouse DVD. SRS is a cover of the Cannibal Corpse song Stripped, Raped, & Strangled, with piano arranged by Adam Pfeffer and vocals by Veronica Valenzuela. Thank you Caustic Truths for adding my website to your weblinks section for Cannibal Corpse.

Adam Pfeffer - Scrap Metal

Scalpel sounds like a Ministry song that features Cecil Taylor. Scalpel marks the first time Adam Pfeffer's bass playing, guitar playing, piano playing, and drum programming are heard in the same recording. Jesus vs. Muhammad is an anti-religion/anti-war song with guitar and vocals by Adam. Jesus vs. Muhammad's guitar riffs were inspired by Lamb of God and Cephalic Carnage. If you would like to hear a version of Jesus vs. Muhammad with drums you can find it on Dante's Juice. Pez Dispenser is the guitar playing of Wes & Spencer Shepard spliced together, complimented with drum programming, and arranged by Adam. Pez Dispenser has 6 movements all varying in style, so don't judge it after only hearing the first few seconds. Conundrum is a Greenman guitar composition written around Adam's drum programming. Prototype is bass playing, keyboard arpeggiation, and drum programming by Adam. Prototype is the prototype for a uniquely perverted percussion idea that was subsequently used in Dungeonesque. Dungeonesque is guitar playing, bass playing, and drum programming by Adam. Aside from the jazz improvisation on guitar, Dungeonesque's dark and gritty sound was inspired by Godflesh.

Adam Pfeffer- w/ Teresa Perry & Haroldt D. Duck

Hangin' At My Crib and I Wanna Be A Nun ('Cause Jesus Has Cool Hair) both have lyrics/vocals by Teresa Perry. The keyboards, bass, and drums in Hangin' At My Crib, and I Wanna Be A Nun, were played/programmed by Adam Pfeffer. Revelation is a cover of a Spock's Beard song with piano arranged by Adam Pfeffer and vocals by Teresa Perry & Erin Gump. I'm Naked!, Boom Chick, and the cover of the Cypress Hill song Light Another is the voice of Haroldt D. Duck (a.k.a. Teresa Perry) performed, recorded and/or sequenced by Adam Pfeffer. Freaky Styley is a jam originally recorded by the Red Hot Chili Peppers. Whipping Post is a Greg Allman song recorded & filmed for the Warehouse DVD.

Adam Pfeffer - Verbal Abuse

Verbal Abuse is a collection of songs that demonstrate Adam Pfeffer's feeble attempts at singing. 6.66 Billion (unplugged), A Dream You Were In, and Forgot Control are originals. The rest are cover songs. Under Attack was originally written & recorded by Devola. Slaves & Bulldozers was originally written & recorded by Soundgarden. Crystal Ship was originally written & recorded by The Doors. Forgot Control was recorded 10 years ago, and was Adam's first attempt at pseudo-singing. Just Friends is a hellacious cover of a jazz standard. All the guitar, bass, keyboard, and drum parts on Verbal Abuse were played or programmed by Adam.

Adam Pfeffer - Error Dialogs

Error Dialogs is breakbeat, drum-n-bass, and jungle written from the perspective of a jazz pianist. Sequences of Life is a collaborative effort with Seth Friedman and Jason Deibel. Cannibal Lovers is a collaborative effort with synths by Eric Salazar and drums by me. Shawn VanPelt also contributed some creativity on the intro/outro of Soul Slammer. Tracks 6-11 (the Error Dialog Suite) were an experiment in improvising the drum part after writing the synth parts. Fork in Leg is a psychotic piano solo I threw in at the end for good measure. Influences: Seth Friedman, Jason Deibel, Billy Cobham, Ed Rush, Meat Beat Manifesto, Amon Tobin, and Squarepusher. Cover art by Shawn VanPelt.

Adam Pfeffer - w/ Streaming Audio

This is cutting edge jazz recorded live during a Streaming Audio performance at San Diego City College. The performance was broadcast live over KSDS 88.3 FM, and often airs on the Arts Channel in San Diego. Adam Pfeffer joins Scott Kent on guitar, Russill White on sax, Lenny Obregon on trumpet, Sam Johnson on bass, and Derek Ethridge on drums. Cover art by John Keaton.

Adam Pfeffer - The Era Of Goo

Swamp Cooler (Googaloo), Cataclysmo (Googaloo), Sanford & Son (Quincy Jones), and The Chicken (A.J. Ellis), were recorded to Yamaha AW16G by Googaloo and mixed by Cody Stumpo. Suck It (Adam Pfeffer) was recorded to minidisc by Googaloo. Revenge (Adam Pfeffer) was recorded to minidisc by Streaming Audio. You Don't Know What Love Is was recorded by Streaming Audio and features Russill White on sax. Everyone is Selling Shit, No One Left to Buy The Shit, are 2 improvs Adam Pfeffer did with with Richard Larson on drums back in 2000 at Tubaman's in San Diego.

Adam Pfeffer - Pianopuss

Pianopuss is a solo piano album based on asymptotes in time and space. One half premeditated, one half improvised, playing on the fine line between organization and chaos. No vocals, no overdubs, just Adam Pfeffer playing the piano. Influences: Lennie Tristano, Don Pullen, Chick Corea, Keith Jarrett, Keith Emerson, and Frank Zappa. Cover art by Adam Pfeffer and Dean Suko.

Adam Pfeffer - Pianopest

The long awaited follow-up to Pianopuss.

Adam Pfeffer - Torture Chamber Music

Torture Chamber Music is an experimental masturbatory masterpiece. It's industrial trance music that becomes meditative only after your ears become numb. Each track centers around a different sample containing an elaborate harmonic structure. The album is an overwhelming bad trip. Every instrument chaotically pans around the stereo field. There are subliminal solos using video signal samples and coaxial cable samples floating on top of subharmonic brickwave bass lines. Whether you classify it as noise or music there is a definite groove throughout. Influences: Skinny Puppy, Cypress Hill, Helmet, Numb, Gracious Shades, Controlled Bleeding, and Messiaen. Cover art by Jerry Sandefur.

Adam Pfeffer - w/ Spitkiss

Spitkiss' ability to keep the audience guessing as to whether they were seriously fucked up, or just fucking around, was the reason Adam Pfeffer joined this legendary metal/industrial/goth band.

Adam Pfeffer - Cupertino Skies

Adam Pfeffer joins Jon Familant on sax, Dave Duret on bass, and Muruga Booker on drums. The music is partially influenced by Muruga's past experiences playing percussion for Dave Brubeck, Weather Report, George Clinton, and Jerry Garcia. Other influences include John Coltrane, McCoy Tyner, Chico Freeman, and Hilton Ruiz. Cover art by Adam Pfeffer and Shawn VanPelt.

Adam Pfeffer - Do Mermaids Have Vaginas?

Genre jumping album containing industrial, jazz, and rare piano recordings. Influences: Rush, Jethro Tull, Yes, Bongwater, Negativland, Frank Zappa, and Cannibal Corpse. Cover art by Shawn VanPelt.

Adam Pfeffer - The Unified Field

The Unified Field is Adam Pfeffer's music with the addition of Katherine Sasseen's lyrics and vocals. Influences: Steely Dan, Everything But The Girl, Garbage, Portishead, Lamb, God Lives Underwater, Pat Benatar, and Fleetwood Mac. Cover art by Shawn VanPelt.

Adam Pfeffer - Playin' Chicken

Adam Pfeffer & Lenny Obregon play jazz standards. The recording sounds like an AM radio broadcast, but conveniently fits the era in which the songs were written.

Adam Pfeffer - Wine & Cheese

Adam Pfeffer, Sam Johnson, & Lenny Obregon play jazz standards.